NWO Occult Symbolism in an 83 year old movie

[Tony Koretz]

The Occult Symbolism of Movie “Metropolis” and its Importance in Pop Culture

Fritz Lang’s 1927 movie “Metropolis” is one of those timeless classics that withstand the test of time. Rather than becoming forgotten and obsolete, “Metropolis” is increasingly relevant as many of its predictions are becoming reality. We will look at the underlying occult message of the film and the usage of its imagery in the acts of pop stars such as Lady Gaga, Madonna, Beyonce, Kylie Minogue and others.

Metropolis is a silent science-fiction movie released in 1927 by Fritz Lang, a master of German Expressionism. Set in a futuristic dystopia divided into two distinct and separate classes—the thinkers and the workers—Metropolis describes the struggles between the two opposite entities. Knowing that it was produced in 1927, viewing this movie today is quite an experience as many “sci-fi” aspects of the plot are eerily close to reality. Metropolis describes a society where the “New World Order” has already taken been implemented and a select elite live in luxury while a dehumanized mass work and live in a highly monitored hell.

The Occult Symbolism of Movie “Metropolis” and its Importance in Pop Culture

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[Tony Koretz]

Here is the movie……this is so Illuminati and ancient mystery school it’s beyond coincidence that we are seeing so much of this transpiring today. There is so much occult symbolism in it

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[Tony Koretz]

Note the 13 candlesticks behind Maria. Occult symbolism

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[Tony Koretz]

The inverted pentagram. Note even the position of the light bulb in the centre to signify the Luciferian light

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[Tony Koretz]

More pictures of the android!

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[Tony Koretz]

More images of the android. This all in the days of silent movies..wow!

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[Tony Koretz]

Illuminati Symbolism in “Metropolis” film
The film Metropolis was the most expensive ever made (at the time), and it was the first full-length science fiction and noir film of its kind. In 1927 writer and director Fritz Lang released this film upon an unsuspecting audience who surely weren’t aware of the vast use of Illuminati symbolism within. Almost one hundred years later, I believe this symbolism has not only been revealed as an occult agenda; but evidence of the Illuminati showing their hand…(Posted By IlluminatiWatcher on Jun 9, 2015)

Illuminati Symbolism in “Metropolis” film

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[Tony Koretz]

You Are Being Programmed To Accept a Trans-humanist Lie and luciferian Saviour

We are constantly being bombarded with occult messages and ancient mystery school symbolism through the media today. But actually this is not new. There is a long held agenda to move the world towards a system of global governance under luciferian rule. Most of the population is oblivious to it. Some of the population thinks “it’s cool”. A small percentage of us see through the agenda, and know that it is not cool at all. It is blatantly anti-Christian, and diabolical in both it’s nature and intent. Movies and television are full of this agenda. Music videos send subliminal messages through the use of symbolism to further this agenda, and the populace swallows it – hook line and sinker. There has been a systematic programming, or brain-washing operation that stems back decades. It is now reaching it’s zenith. In fact, in the last few years this has gone even further, to the point that it now shows straight out mocking of the “sleeping sheeple”.

Read the article Here: You Are Being Programmed To Accept a Trans-humanist Lie and luciferian Saviour

• This reply was modified 5 years, 9 months ago by Tony Koretz.

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[Jason Bramble]

I recently rewatched alot of cartoons and cartoon openings from my childhood(Mostly the 80’s) and boy i tell you. Back then the symbolism was REALLY REAL. I never thought anything of it till now cos as a kid I just wanted to have a blast watching cartoons. But they really were setting up stuff for todays world in our minds. Transhumanism, human 2.0(Half machine) was a super prevalent theme in some cartoons i used to watch. The list goes on and on. Half human half animal hybrids… Stunning… Glory to God somehow I came outta that not believing that stuff. To young me it was literally just mindless entertainment.

[M.E.]

What about the satanic Donald Duck and co cartoons, Fantasia, the Black Cauldron, etc… Blows my mind now how openly dark magic was portrayed specifically FOR kids. Did any of the parents even pay attention? Or was it such a time of naivety that they didn’t even think to monitor cartoons???

[Tony Koretz]

M.E. wrote:

What about the satanic Donald Duck and co cartoons, Fantasia, the Black Cauldron, etc… Blows my mind now how openly dark magic was portrayed specifically FOR kids. Did any of the parents even pay attention? Or was it such a time of naivety that they didn’t even think to monitor cartoons???

Interesting that you mention Fantasia. I was absolutely fascinated by that movie as a kid. Of course I had no idea back then about the agenda and programming and that Walt Disney was a 33° freemason

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[M.E.]

I liked it too, but I think it struck me as kind of odd even as a kid. I’m thankful that so much has been exposed for the evil that it is, and that researching things that aren’t main-stream has become so much easier. I don’t know how you would have gone about it back then. I’m just old enough (born in ’93) to remember the pre-internet, pre-cell phone days(I’m sure they were developed, but the average person wasn’t using them from what I recall); and it amazes me how fast things have changed. Certainly not all for the better though.

• This reply was modified 5 years, 8 months ago by M.E..

[Tony Koretz]

Almost everywhere these days the programming is evident in the media today. It’s always been there to some extent……but it’s so much more obvious now

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[Moritz]

Fritz Lang explicitly stated that he wanted to show “a conflict of modern science and occultism” in his movie to emphasize the clash of futuristic visions and archaic fears.

There was after all an enormous wave of occultism and explosion of spiritism in the 1920s Weimar republic and its literature, born out of the sociopolitical collapse of the old Christian monarchies after the worldwar (even literature nobel laureate Thomas Mann wrote his ‘Okkulte Erlebnisse’ in 1922 because he was fascinated with these topics).

It´s more likely Fritz Lang was less a conscious promoter of a sinister agenda and more a talented director who just collected all the intriguing mysterious imagery he came across in the chaotic liberal art scene of this time and built his career on this. I think he was a person similar to someone like Steven Spielberg today when he comes up with something like ‘Stranger Things’. Evil intent on his part is not necessarily needed to explain all the correlations with the fringe stuff we are talking about and are actually believing in – especially when it comes to artistic renditions of ‘high strangeness’ from individuals like those two gentlemen.

However, I do believe that the studio system is a different, actual beast with an agenda of manipulation and programming it actively and consciously pursues. And this beast system is gladly (mis)using the works of enthusiastic artists who as individuals may mean no harm and just want to bring cool and exiting scenarios to life on screen.

[EmmaC]

I know this is an old post but I just wanted to comment..

There is an argument going around namely, are film directors wanting to expose the Luciferian system or are they promoting it by saturating our culture with it?

I’m still wrestling with the idea, was Kubrick a good guy trying to expose the elite? Then again he was a massive fan of Napoleon and amassed a huge archive of materials on him to make a huge biopic that never happened.
We know now that Napoleon was in on all of this, so why would Kubrick admire him?
Also Kubrick made people who claim there is fluoride in the water look like a crackpot thanks to the portrayal of Gen Jack D Ripper in Dr.Strangelove.

Going back to Metropolis. This film is so important to them.

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